LUMA Live

Interview with KOO JEONG A

"Immateriality is our wisdom and intelligence and our words, but air is a very clear effect of the material."

Watch the video

Interview with KOO JEONG A
"Immateriality is our wisdom and intelligence and our words, but air is a very clear effect of the material."

Interview with Marta Minujín
"My thinking is "Live in art, not look at art.""

Interview with Ming Tsai
"Quite radical, even now!"

Interview with Nancy Perloff
"New technology, new kinds of experiments (...)"

Interview with Hans Haacke
"It was the first time that I, so to speak, built an environment."

Interview with Bas Smets
"So Arles, for me, has been the biggest experiment."

Interview with Carsten Höller
"Most of us had dreams about flying when we were young, especially."

Interview with Tino Sehgal
"In many works you can find this continuity in some way or another and the connection from one to the next."

Interview with Wael Shawky
"I think it's nice to try to deal with history in an artistic form."

Interview with Ho Tzu Nyen
"A lot of my work is about understanding the past."

Interview with Peter Fischli
"How you get around to not get too cynical?"

Interview with Hans Ulrich Obrist
"For Maria Lassnig, life and art it was basically one thing."

Interview with Federico Campagna
"The world is always unstable, and it's up to you to decide what that instability means."

Interview with Precious Okoyomon
""The sun eats her children" was born from an Etel Adan poem and Toni Morrison's "Beloved"."

In conversation

In conversation with Wael Shawky, Federico Campagna and Romy Wyche

(audio)

To mark the closing of the exhibition I Am the Hymns of the New Temples, LUMA Arles welcomed artist Wael Shawky, in discussion with Romy Wyche (Director of the Musée départemental Arles Antique) and Federico Campagna (author of Otherworlds: Mediterranean Lessons on Escaping History).

The discussion intersected Shawky’s cinematic approach to myths, Campagna’s theories on alternative worldviews, and Wyche’s archaeological insights into antiquity. Together, they examined the depiction of historical and mythological narratives, weaving Mediterranean heritage and contemporary storytelling.

Watch the video

LUMA Eco Days 2025

Bioregional Assembly

Environmental History IV

Tales of Superstition and Magic

Conferences and conversations

William Kentridge and Homi K. Bhabha in conversation

Environmental History III

LUMA Eco Days 2024

Bioregional Assembly

Realities of Science Fiction III

Conferences, discussions, projections

Environmental History II

Realities of Science Fiction II

Conferences, discussions, performances

34th Bienal de São Paulo

Discussion with Gary Hill about Circular Breathing

Environmental History symposium

Constance Debré, reading and discussion with Violaine Huisman

Art and Anarchism

by Catherine Malabou

Realities of Science Fiction

Conferences, discussions, projections

LUMA Days 1

Scenarios for a City in a Bioregion

LUMA Days 2

HOSPITALITY: Searching for Common Ground

LUMA Days 3

Together, a Declaration of Interdependence

LUMA Days 4 Online

“In Transit : A Geography of Change”

LUMA Days 5

Recompose: Roadmap for possible worlds

LUMA Eco Days #2

Building with Nature

The Human Snapshot

2011

The Flood of Rights

2013

Interview with Hans-Ulrich Obrist
"That happens only with the greatest artists that every generation not only finds it relevant, but can take something else."

Interview with Neïl Beloufa
"The idea for us is to create, to link, to be able to participate in those conversations".

Interview with William Kentridge
"The process of making the work is also the process of discovering the history and what the work will be."

Interview with Erika Verzutti
"How do we cope with the studio practice listening to the news these days?"

Interview with Theaster Gates
"A workshop on clay (…) is a kind of experimental device about becoming."

Interview with Rirkrit Tiravanija
"We have to acknowledge that the important element of the whole situation is people."

Interview with Diana Thater
"I'm very interested in surrounding the viewer with imagery and having the viewer (…) become part of the installation."

Interview with Ralph Nauta, DRIFT
"I like to do stuff that has never been done before."

Interview with William Kentridge
"How does one understand colonialism?"

Interview with Hans-Ulrich Obrist
"The future (...) is invented with artists from the past."

Interview with Carrie Mae Weems
"When I started this exhibition, I was thinking about the circus of politics, about the craziness that happens around these misconceptions about race that exist in the world, including the art world."

Interview with Ahlam Shibli
"Arles (…) is physically divided, but also community divided."

Interview with Theaster Gates
"You're not just carrying albums (…) you're carrying people's emotions, that they've conveyed through song."

Interview with Rachel Rose
"The film is about charting the epic of the history of the Earth through what's in a child's bedroom."

Interview with Shahryar Nashat
"This work is like a real-time self-portrait that is constantly changing over the next six months."

Interview with Sara Sadik
"I wanted to work on a hookah lounge because it's a cultural and political symbol."

Interview with Bouchra Khalili
"When archives do not exist, what remains to tell suppressed histories?"

Interview with Christodoulos Panayiotou
"The exhibition is organized around the strict grid of the calendar."

Interview with Arthur Jafa
"It takes a lot of energy to be anti-Black, so what is the payoff? Why does society continue to do it?"

Interview with Arthur Jafa (part II)
"Darkness is, visually speaking, the equivalent of silence, right?"

Interview with James Barnor
"I happened to be involved in the independence of Ghana (…) Through this, I saw the world afresh."

Interview with Hans-Ulrich Obrist
"I've been very fascinated by Etel from the very beginning. It was almost like an oracle to meet her."

Interview with Gary Hill
""Circular Breathing" is a very strict, hardcore divisions of time."

Interview with Gee Wesley
"Afrophon’ is a gathering of independent publishers based on the African continent (...) who are coming to LUMA to engage in questions about art publishing"

Interview with Joan Jonas
"When I first started doing those drawings, I had a residency at the CCA Kitakyushu in Japan."

Interview with Julien Creuzet
"This exhibition is a collection where our eyes are constantly deciphering or decoding a landscape."

Interview with Rachel Rose
"I actually started "Everything and More" from a sort of mundane experience. I had gone to see "Interstellar" and "Gravity""

Interview with Maria Hassabi
"I'm interested in giving the viewer time to see what is in front of them."

Interview with Sky Hopinka
"Through this work, I want to express the complicated and complex aspect of being a native in this country today."

Interview with Precious Okoyomon
"How are we building that awareness that we aren't separate from the Earth?"

Interview with Christian Marclay
"What if I could find every minute in 24 hours ?"

Interview with Konstantin Grcic
"On the 8th and 9th floors, you can see the surroundings at 360°, the sun moves from morning to evening, and that changes the atmosphere of the space"

Interview with Rirkrit Tiravanija
"I am always trying to find a space where all the differences can exist together."

Interview with Jakob Kudsk Steensen
"I create virtual landscapes from actual places."

Interview with Carsten Höller
"Artists play a certain role within society."

Interview with Kerstin Brätsch
"For the mosaic, I was very interested in the idea of like a painting facing the sky."

Interview with P. Staff
"I don't think I ever wanted to do anything other than become an artist."

Interview with Ian Cheng
"A film can assign meaning to something that is not meaningful."

Interview with Liam Gillick
"It’s like I was always an artist."

Interview with Dominique Gonzalez-Foerster
"I enjoy working in time, with time and over a long time."

LUMA Arles

The LUMA project by Maja Hoffmann

The ambition to produce visionary and experimental artistic projects lies at the heart of the LUMA project.
Maja Hoffmann discusses the beginning of LUMA's development and its evolution, unfolding at the same time as her personal connection to Arles, the region of the Camargue, and the cultural and natural context of which LUMA is a part.

Watch the video