Stuart Comer
The Lonti Ebers Chief Curator of Media and Performance, MoMA (USA)
Stuart Comer is the Lonti Ebers Chief Curator of Media and Performance at MoMA, New York. In addition to his role in the core team reimagining the Museum’s collection galleries, he has curated or co-curated the exhibitions Stephen Prina: A Lick and a Promise (2025), Rosa Barba: The Ocean of One’s Pause (2025), Video After Video: The Critical Media of CAMP (2025), Christian Marclay: The Clock (2024), Leslie Thorton’s HANDMADE (2023), Signals: How Video Transformed the World (2023), Adam Pendleton: Who Is Queen? (2021), member: Pope.L, 1978–2001 (2019), Haegue Yang: Handles (2019), Tania Bruguera: Untitled (Havana, 2000) (2018), Mark Leckey: Containers and Their Drivers (2016), BRUCE CONNER: IT’S ALL TRUE (2016), Bouchra Khalili: The Mapping Journey Project (2016), Transmissions: Art in Eastern Europe and Latin America, 1960–1980 (2015), and Cut to Swipe (2014). At MoMA, he also leads the Marie-Josée and Henry Kravis Studio and is currently overseeing the Contemporary and Modern Art Perspectives (C-MAP) Southeast Asia research group and the Fund for the Twenty-First Century. Prior to joining MoMA, Comer served as the first Curator of Film at Tate Modern, London, and co-curated the 2014, Whitney Biennial.